Today as I was shuffling in preparation to draw my cards my mind roamed through my emotional body gathering various flowers and blooms. The one that presented itself to me with the most brilliance was the flower of freedom. Perhaps it's the date with its theme of what I prefer to call interdependence or perhaps it was last night's unremembered dreams having their way with me this morning or perhaps the widening angels of possibility were breathing me into awareness. Whatever it was I experienced a visceral moment of expansion, the felt sense of a brief trill in my body and the word 'freedom' flashed upon my mind. I stopped shuffling and drew my oracle card...Heron. And like yesterday my heart soared a little bit...
The LWB tells us...
I am Heron, the ally of the mystic. I am stable. I am focused and alert. I am at peace. I never miss a ripple in the great pool. I am the gift of concentration. I am stillness that allows greater purpose. Now is the time for rest and meditation...There is purification in acceptance. There is wellness in letting things be as they are. Those last two sentences strike a chord in me and I let them sink in.
On my hikes over the years I often see these glorious and graceful
creatures standing in the water, regents of stillness and silence. Often
I don't realize they're there until suddenly the moment stirs in a
flare of grey wings and grace rising into the air. They seem equally at
home in both elements and their equilibrium is something to marvel at,
balancing as they are able on such tiny, narrow supports. I snapped this
magical pic a year or so ago on one of my hikes.
You are meditation.
You are beauty and balance.
You are the calm center of your own universe.
You are Heron.
With this meditative atmosphere in mind I shuffle my Tarot deck holding the question of what I need to bring the qualities of focus, of absorption and equilibrium to today...and I can't help but feel the bird of my own heart rise into the air on an updraft of joy upon seeing the cards...
Gaia, The World and Bast, The High Priestess. Two Majors, both women, both Goddesses. I note first off how each is using her hands to weave energy, how one is of the Earth, the other is of the Sky, how much blue and green plays a part in each card, how the theme of the crescent moon is subtly referred to in both images. Already it feels like a natural dialogue has sprung up between these two cards, overseen by Heron's mystic presence, these three feel like a kind of sacred triumvirate.

Looking first at Gaia, the World, I note the feeling of symmetry, of balance that Gaia reflects as she accommodates all manner of creatures and living things. She is the pulsing and radiant point in the center of all that life, the anima mundi as is so artistically depicted here. Her myth is potent and here we see her as Mother of the World, known to the Greeks as "the deep-breasted one". Any nursing mother knows the power of breasts to nurture, to support and nourish her child. It is this quality of sustenance, of life-giving energy that allows the circle to continue to flow that she embodies. There are all manner of creatures and symbols in this card...snakes, representing rebirth and renewal, roots growing from Gaia's fingers, the tree itself, connection between the underworld, the earth and the upperworld. My eye is drawn to the hint of a luminous crescent moon made by the roots and light and stars flowing from Gaia's fingers and Gaia herself is part tree.
Whenever I receive a Major in a reading I'm not always sure how to interpret its presence in my life since it often seems to point to energies that are less accessible because they are so much a part of the structure of the psyche, the collective awareness. Sometimes I think of the Majors as deities and the Minors as spiritual community. The Buddhists have a word for my definition of the Minors, kalyanametta, friends along the path who support our development. As such court cards become the teachers and gurus. In this way today I've been asked to spend some time meditating on two deities. I think of The World card as the Dance, a recognition of the turning of the wheel of dharma, an awareness of the cyclical. Traditionally we see a woman clothed with a scarf dancing in a mandorla made of a wreath, holding two staves and surrounded by the heads of four archetypal figures. To square a circle, in Jungian and alchemical terms, means to become fully realized and transformed as a human being. We don't see that imagery here overtly but there is clearly the sense of circular energy, of renewal and accommodation, of bridging worlds. And Heron has asked nothing less of me than to meditate on this today, to bring some stillness and focus to the central hub of my being, the place where as Eliot says, "
at the still point of the turning world there the dance is."
With this feeling of motion, of cyclical energy I turn to Bast, the High Priestess. The Egyptian goddess of protection and of cats Bast was the daughter of Ra, the sun god. In this card we have many symbols that point to the intuitive world, the jewels across the third eye, the starry night sky, the lunar glow held at the heart, Bast Herself, of course, and the subtle presence of her familiars on either side of her, echoes of the two pillars seen in the traditional version of this card as well as behind her. Bast's ears are aglow and they form the suggestion of a crescent moon crowning her head. Her gaze is both direct and veiled and she is rising out of the cosmos itself dressed in robes of gold and green. The spiral between one hand glows with luminous mystery and sits above a lion-headed cloth in her other hand which sits at her solar plexus uniting these two realms. Bast herself feels like a doorway into the cosmos behind her, into the vast expanse of intuition and Spirit.
I often feel a bit stymied when writing about the High Priestess as her very nature seems to resist interpretation, at least a linear interpretation. Her number is two which is the number of duality, suggesting a kind of binary consciousness, the ability to navigate two worlds.
In the RWS deck, the pomegranates in the background suggest a descent but in the myth Persephone is taken against her wishes into the underworld which would suggest strong subconscious, potentially transformative forces at work. The ability to navigate this collective unconscious wisdom energy would depend on my level of self-awareness as Seeker.
The High Priestess's relationship to The Moon card is pronounced for me and in this version of the card it is strong with all that starry imagery and night sky and the crescent moon on Bast's head. But whereas The Moon card suggests the mysteries of the natural or physical world the High Priestess suggests the mysteries of a more personal nature.
There is a feeling of concealment and secrecy in this card but not for nefarious reasons rather for the purposes of containing that which is precious and potent. It suggests tending to the inner cosmos, keeping things sheltered from the brighter light of the Sun, the manifest until they are truly ready to seen. She is a tremendous, yielding force. So bringing the three cards together...
I notice that in all three cards the figures are holding potent energy in their hands. Heron holds a ball of light similar to that of Bast. She is looking in her direction, offering it to her, leaning towards her as if to say we are of the same lineage. Gaia, the World holds space for it all, all of it streaming from her fingers in a potent exhalation of form meeting name. This is a tall order for today! Rilke, help me out here...and he does beautifully with one of his uncollected poems which seems to synthesize all three cards...
The Gift of Exploration
Dove that stayed in the open outside the dovecote,
brought back and housed again
where neither night nor day poses danger--
she knows what protection is...
The other doves not exposed to peril
do not know this tenderness.
The heart that has been fetched back
can feel most at home.
Vitality is freed through what it has renounced.
Over Nothingness the universe bends.
Ah, the ball we dared to throw
fills the hands differently on its return:
it brings back the reality of its journey.